Played over a "stomp-stomp-clap" beat similar to Queen's "We Will Rock You" (1977), "E.T." is an electronic ballad that tells of "falling in love with a foreigner". Extraterrestrial metaphors are used throughout, and West continues these metaphors in his two verses, making heavy use of Auto-Tune at times. The song is set in slow tempo with 76 beats per minute. Some critics find its composition similar to several artists including Rihanna, Evanescence and Queen.
The song peaked at number one in the United States, Canada, New Zealand and Poland as well as within the top five in Australia, Ireland and the United Kingdom and the top twenty in ten other European countries. "E.T" received mostly positive reviews from music critics who complimented Perry's vocals throughout the song, noting that the song was different for Perry, having a darker, deeper, and more mature tone. West's vocals during the song received mixed to positive reviews from critics who were divided in their opinions.
An album track of three minutes and twenty-six seconds, "E.T." is an electronic, and hip hop ballad, with elements of teen pop. BBC Music described the song as a "rave-influenced quasi ballad". It was written by Perry, Lukasz Gottwald, Max Martin, and Joshua Coleman, and produced by the last three, with Gottwald and Coleman credited as Dr. Luke and Ammo. According to sheet music from Alfred Music Publishing, the song was originally published in F minor and follows a slow tempo of 76 beats per minute in common time. Perry's voice spans E?4 to D?5. According to Ann Powers of the Los Angeles Times, "E.T." carries influences from Barbadian singer Rihanna and features Perry using a "hip-hop diva's stutter". The song's instrumentals have been described as "a mishmash and bleeps and blips with a driving drum track". Darryl Sterdan of the QMI Agency noted the song uses the "stomp-stomp-clap" beat from Queen's "We Will Rock You" (1977), while Allmusic's Stephen Thomas Erlewine noted similarities to productions by Ryan Tedder. Matthew Perpetua of Rolling Stone felt the song was similar in sound to hard rock ballads by Evanescence.
Now's Jason Richards called the song "awkward" and Sputnikmusic's Rudy Clapper dismissed its attempt at a more mature sound, calling it "cheesy". Bill Lamb, writing for About.com, gave a three-and-a-half star review out of five: he was disappointed with the lack of a defined hook, remarking the song could have had more potential and that its "edginess builds without release." In his review, PopMatters' staff writer Steve Leftridge wrote: "Plus, songs like 'E.T.' or 'Circle the Drain' are neither strong nor edgy nor clever nor sonically interesting enough to lend any genuine credibility to Perry as a serious artist with anything to actually say."
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The song peaked at number one in the United States, Canada, New Zealand and Poland as well as within the top five in Australia, Ireland and the United Kingdom and the top twenty in ten other European countries. "E.T" received mostly positive reviews from music critics who complimented Perry's vocals throughout the song, noting that the song was different for Perry, having a darker, deeper, and more mature tone. West's vocals during the song received mixed to positive reviews from critics who were divided in their opinions.
An album track of three minutes and twenty-six seconds, "E.T." is an electronic, and hip hop ballad, with elements of teen pop. BBC Music described the song as a "rave-influenced quasi ballad". It was written by Perry, Lukasz Gottwald, Max Martin, and Joshua Coleman, and produced by the last three, with Gottwald and Coleman credited as Dr. Luke and Ammo. According to sheet music from Alfred Music Publishing, the song was originally published in F minor and follows a slow tempo of 76 beats per minute in common time. Perry's voice spans E?4 to D?5. According to Ann Powers of the Los Angeles Times, "E.T." carries influences from Barbadian singer Rihanna and features Perry using a "hip-hop diva's stutter". The song's instrumentals have been described as "a mishmash and bleeps and blips with a driving drum track". Darryl Sterdan of the QMI Agency noted the song uses the "stomp-stomp-clap" beat from Queen's "We Will Rock You" (1977), while Allmusic's Stephen Thomas Erlewine noted similarities to productions by Ryan Tedder. Matthew Perpetua of Rolling Stone felt the song was similar in sound to hard rock ballads by Evanescence.
Now's Jason Richards called the song "awkward" and Sputnikmusic's Rudy Clapper dismissed its attempt at a more mature sound, calling it "cheesy". Bill Lamb, writing for About.com, gave a three-and-a-half star review out of five: he was disappointed with the lack of a defined hook, remarking the song could have had more potential and that its "edginess builds without release." In his review, PopMatters' staff writer Steve Leftridge wrote: "Plus, songs like 'E.T.' or 'Circle the Drain' are neither strong nor edgy nor clever nor sonically interesting enough to lend any genuine credibility to Perry as a serious artist with anything to actually say."
each make-up look.
Katy Perry E.T. Makeup
\x26quot;ET\x26quot; makeup tutorial
Katy Perry in her new \x26quot;E.T.\x26quot;
a blue Katy is seen
Makeup Forever 12 Flash Color
Singer Katy Perry recently sat
Katy Perry � "ET" Promotional
Video: Katy Perry E.T music
Katy Perry\x26#39;s style for \x26#39;E.T.\x26#39;
Katy Perry\x26#39;s "E.T." Music
Katy Perry Alien Makeup
Katy Perry+ET+Katy+Makeup
Katy Perry\x26#39;s E.T. 2nd makeup
Katy Perry E.T. Makeup
Katy Perry E.T make-up.
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