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The filmmakers constructed 230 puppets to represent the characters in the movie, with Jack Skellington having "around eight hundred heads", allowing the expression of every possible emotion. Sally's mouth movements "were animated through the replacement method. During the animation process,...only Sally's face 'mask' was removed in order to preserve the order of her long red hair. Sally had ten types of faces, each made with a series of eleven expressions (e.g. eyes open and closed, and various facial poses) and synchronised mouth movements."
Sally is Jack Skellington's love-interest. She is a Dr.Finkelstein-sque ragdoll originally patched together by Doctor Finkelstein. She is the only one to have doubts about Jack's Christmas plan. Although her creator attempts to keep her constantly imprisoned, she often manages escape with deadly nightshade she slips him, causing him to fall asleep. Despite her makeshift appearance, Sally is a determined individual with a good feel for what is right. Fiona Apple provides the vocals for "Sally's Song" on the 2006 special edition of The Nightmare Before Christmas: Original Motion Picture Soundtrack, while Amy Lee provides the vocals for "Sally's Song" on Nightmare Revisited. She also appears in Tim Burton's The Nightmare Before Christmas: Oogie's Revenge.
Sally is a rag doll-type character, with detachable limbs stuffed with fall leaves. She was created by Doctor Finklestein, Halloween Town's resident mad scientist, as a companion. Their relationship is rather tense, as Finklestein insists on keeping Sally under lock and key, under the pretext of protecting her from the excitement of the outside world. However Sally is restless, and is intrigued by the wonders of the outside world.

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It is this restlessness, or, more specifically, this desire for something better in her life, that draws her to Jack Skellington. In the beginning of the movie, she idolizes and admires Jack much like any of the other female members of Halloween Town; however, she quickly discovers that they are connected by the desire for something more in their lives, and her feelings for him intensify. The two refer to each other as "friends", though Jack seems unaware of Sally's true feelings for him, as she is too shy to make them known to him other than through her sweet actions, however this could be argued because after Boogi's defeat, Jack and Sally are left alone and Jack sees that Sally tried her best to help him. Thus prompting him to finally realize how much she cares for him.

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Bryan Theiss declares that Sally is one of "those rare fantasy characters we can relate to on a certain level as much as we can to real-world characters on a more literal level."
Sally's voice was played by Catherine O'Hara throughout the movie, and Kath Soucie in the video game spin-offs.

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Oogie Boogie is the main antagonist of the film. Oogie Boogie is the Boogie Man, resembling a large burlap sack. When Oogie Boogie is defeated, it is revealed that he is a colony of bugs wrapped in sacking. Oogie Boogie did not appear in Tim Burton's original poem, but Burton later sketched a portrait of what appeared to be a potato sack man with horrible things inside. The Oogie puppet was two feet high, twice the height of the other puppets. In his autobiography Burton on Burton, Burton says that Oogie Boogie was loosely inspired by Cab Calloway's 1932 appearance in a Betty Boop cartoon, and that he asked Danny Elfman to make Oogie's song in "Nightmare" slightly resemble Calloway's 1931 recording of the song "Minnie the Moocher". Elfman ended up referencing the Betty Boop cartoon The Old Man of the Mountain (1933), also featuring Calloway. Santa's line "Well, what are you going to do?" and Oogie Boogie's response of "I'm gonna do the best I can!" are direct quotes from this cartoon. Another idea for Oogie's identity was for him to be Dr. Finklestein in disguise, gaining revenge on Jack and Sally, but it was not pursued past storyboards since Tim Burton scrapped the idea. This is visible on the Special Edition DVD. Unlike all the other inhabitants of Halloween Town, who are merely monsters who scare people simply because they enjoy it as a celebration of their skill and fun, it appears that Oogie is truly evil. It is suggested that his sadistic nature had resulted in his exile from the mainstream Halloween Town. He lives in an underground lair full of torture devices, each of which features a casino-like appearance. Red skeletons - implied to be the remains of previous victims - are in several of the devices, and overhanging chains are used as perches by skeletal bats. Oogie-Boogie's lair, during his theme song, is lit with black lights in the style of a cheap funhouse. Under these, Oogie himself glows bright green, similar to a glow stick. After the lights dim, however, the bright color is sapped from his lair, transforming its appearance into that of a dank, cellar-like dungeon. Above his lair is the clubhouse of Lock, Shock, and Barrel, who feed him bugs regularly via a metal chute. It is at first believed that Oogie cannot be killed or die but it is later revealed he can be destroyed if his brain, the lead bug, is destroyed. In the movie, Lock, Shock, and Barrel kidnap Santa Claus and (against the wishes of Jack, who held Oogie in great contempt) send him down to Oogie Boogie's lair, where he is bound to a giant roulette wheel. According to deleted song material (found in the soundtrack version), Oogie plans to add "Sandy Claws" to his new batch of Snake and Spider Stew, to "add a little Spice". Sally, after finding out Santa's fate, attempts to rescue him but is captured herself. Oogie then tortures and tries to kill Sally and Santa Claus, but is destroyed when Jack pulls a thread loose from him, which causes the majority of his bugs to fall into the lava pit. The last one is crushed by Santa Claus; however, the true lead bug (apparently the "brain" of Oogie) is later revealed to have escaped to rebuild its body in video game spin-offs of the movie.